“一天的难处就够他操心的了。”《圣经》上的这句格言,完全可以认为是针对社会讽刺作家波拉妥诺夫的声誉而发的。与此同时,当今不适当的,类似以政治气氛影响波拉妥诺夫的观点变得越来越明显。其意图很明显,就是因为这个杰出的思想家、语言大师对俄罗斯和世界文学以罕见的艺术和哲学的贡献站到了首位。 阿·波拉妥诺夫和俄罗斯同时代杰出的思想家密切合作着,首先是同恩·费·费达洛夫合作着。此人的思想对作家的作品和全球电视广播产生了巨大影响。他们一起紧张地、聚精会神地探索着,如何使题材充满高尚精神、达到人类的永恒境界。按照恩·费·费达洛夫的意见,战胜死亡是社会和科学进步的目的,而使沉沦的一代人再度振作起来、不断地创造宇宙间不朽的生命,是这一目的的最高表现。 恩·费·费达洛夫有一种孩子对父母有偿还不清的债务的思想:“他(人——波·巴注)在全部的培养、教育期间总是消耗父母的精力,可以说吞食着父母的肉体和鲜血(当然,不能做字面上的理解,不是直接涵义);因此,当教育结束的时候,父母的精力已衰竭,于是他们便渐渐死亡或变得年老体衰,就是说逐渐接近死亡。” 正是这种观点在多方面决定着安得列·波拉妥诺夫的创作热情。“任何人都不会相信死人,除非他还 “One day’s difficulties are enough for him to worry about.” The Bible’s aphorism can well be considered as a tribute to the reputation of social satirist Bratolnov. At the same time, what is inappropriate today is the notion of a similar political influence on Bratolnov. The intention is obvious because the outstanding thinker and linguist came to the fore for the contribution of rare arts and philosophies to Russian and world literature. Al Bolatov, in close cooperation with prominent Russian contemporary thinkers, started with the collaboration of Grace Fendalov. This person’s thinking had a huge impact on the work of writers and on global television broadcasting. Together, they worked nervously to explore, how to make the subject full of noble spirit and reach the eternal realm of mankind. According to Grace Fendalov, the victory over death was the goal of social and scientific progress. It is the highest manifestation of this end that the pervaded generation will once again be bracing for the continuous creation of an immortal life in the universe. EnFei Fedalov has a child’s debt to the parents that they have unclear debts: “He always consumed the energy of his parents during all their training and education, The flesh and blood of parents (of course, can not be literally understood, not directly); therefore, when the education is over, the energies of the parents are exhausted and they gradually die or become old and sick, that is to say Gradually approaching death. ”It is this view that in many ways determines the creative passion of André Bolatov. "No one will believe the dead unless he still