陈染与朴婉绪小说中父性克服过程的比较研究

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This paper represents a serious two female writer of the1990s novel byfocusing on jinyeomgwa Critically father and daughter takes on epic. Meaning inliterature that transcend the father by blood culture as signifier in the novel,important role that women are appearing. In this paper, especially the absence of afather (psychological as well as the absence of a realistic and comprehensiveabsence should) seek to experience growth and daughters about what I’m going tofocus. As described above, the daughter of his father’s influence in characterformation can never be overlooked. However, the identification with the father toher side as the compliance of the patriarchal society, which is soon to give up is alsoabout identity. To seek personal growth because of the daughters of the Father inthe absence of narrative growth is often a prerequisite for. This paper mainlyCritically jinyeomgwa daughters father in the novel, while responding to theabsence of a duality that you are looking for growth, and overcome in the processwas to reflect upon aspects of the self.Two artists’ work journeys in the growth of girls and women depicted fairly closely,and father absence in the process, which causes a corresponding daughters withdifferent types of look works well with text that shows the typical Selection will beanalyzed. The target is to study jinyeomgwa goeseo Critically absent father in the1990s novel and the process of overcoming the effects on the child, conflict andspecifically in the text is revealed. Jinyeomui balpyeondoen90s,"a piece of paper(纸片儿)","Private Life (私人生活)","shaman and her daughter’s dreams of a door (巫女与她的梦中之门)", and Critically "widow "," Who ate did to all the singah,"" Themountains were there really did,"focuses on six sides will be analyzed.
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路易斯·厄德里克是最多产、最有成就且最有声望的美国当代印第安女作家之一。《圆屋》是厄德里克的第14部小说,于2012年荣获美国国家图书奖,与《鸽灾》和《拉罗斯》被美国评论