一引言由知网检索来看,目前与曾国藩书法相关的文章约有二十二篇,论文十九篇,其中有十六篇专门谈曾国藩的书法。这十六篇论文所体现出的写作角度各不相同,但主要围绕其书法作品和书法理论两大方面展开,然从曾国藩日记等相关记载来看,真正让曾国藩觉得自己书法有所进步的时候大约有五次。但这五次所对应的书法作品是他手书日记中所体现出来的书法面貌,还是另有其他书法作品,我们现在很难知晓。一件好的书法作品并不是一蹴而就的,而是在各方面条件都完全具备的情况下,书写者所不经意间流露出来的,一 I. INTRODUCTION Judging from the website search, there are about 22 articles related to calligraphy of Zeng Guofan and 19 articles of theses, among which there are 16 calligraphers specializing in Tseng Kuo-fan. The sixteen dissertations reflect different writing angles, but mainly focus on two aspects of their calligraphic works and calligraphy theory. However, judging from Zeng Guofan diary and other related records, Zeng Guofan really made some progress in his calligraphy About five times. However, it is hard to know whether the five calligraphic works correspond to the calligraphy displayed in his handwritten diary or other calligraphic works. A good calligraphy is not done overnight, but in a situation where all conditions are fully available, the writer inadvertently revealed a