一个偶然的机会,使我与周作人结下了不解之缘。1986年暮春,我从来访的新加坡著名学者郑子瑜教授处得知其珍藏着周作人《知堂杂诗抄》未刊稿,我是个好事之徒,就又辑集了一份外编作为此书附录,一并给钟叔河先生。这本小书出版后,颇受海内外的注意。次年夏,我自广州返沪途中在长沙小住,钟先生当面约我进一步参与周作人集外佚文的搜集整理工作。我历来认为要使作家研究建立在坚实可靠的基础之上,就必须公开出版其所有的作品。在国外,譬如在日本,连许多二三流的作家都已印行了全集;而在我们中国,尽管现代文学群 An accidental opportunity, so I made a conclusion with Zhou Zuoren. In the late spring of 1986, I learned from Professor Zheng Ziyu, a famous Singaporean scholar, visiting the collection of the unpublished works of Zhou Zuoren, “I read a magistrate’s allegory” and I was a good deed. I edited another book, appendix , To Mr. Chung Shu River. After the publication of this book, popular at home and abroad. In the summer of the following year, I lived in Changsha from Guangzhou on his way to Shanghai. Mr. Chung personally asked me to further participate in the collection and arrangement of the lost books collected by Zhou Zuoren. I have always believed that for writer’s research to be based on a solid foundation, all of its works must be published in public. In other countries, such as Japan, even the second and third stream writers have printed the complete works; while in our country, although modern literature group