明中叶以后,江南地区市场经济繁荣,商业活跃,大量的文人走进市井生活,市民阶层随之崛起并发展壮大。相比于前此历代、尤其是唐代仕女画的贵族化,明清仕女画更多地表现为市井化的特色。本文所说的市井、市民,并非是指劳力的市井、市民,而是指劳心的市民,即文人的市井化。所以仕女形象的市井化,并非是劳动妇女化,而是市井化了的文人心目中 Since the middle of Ming Dynasty, the market economy in the southern part of the Yangtze River has been prosperous and the commerce has been flourishing. A large number of literati went into the marketplace and the public class rose and grew stronger. Compared to the previous generations, especially the aristocratic beauty of the Tang dynasty ladies painting, the Ming and Qing dynasties ladies and gentlemen painting more performance for the well-being of the characteristics. The marketplace and citizenry mentioned in this article do not refer to the marketplace or citizen of the labor force, but rather to the market-oriented nature of the hard-working citizens, that is, literati. Therefore, the marketable image of ladies is not the feminization of labor, but rather the well-thought-out literary mind