论文部分内容阅读
审视第二届楷书展作品,作者在作品的表达上取法明确,技术到位,能够感受到他们对于古人笔法、墨法、章法、意趣、风骨等经典的传承。作品中基本遵循传统,取法古人,很少看到突兀乖张、信笔为体的另类作品,让人感受到书坛正在引导和提倡书法创作尊重传统、敬畏古人、回归本源的风气。当代中国书坛也正以空前的热情、能量和虚心的态度向前人学习;“回归传统”也正逐渐成为当代书坛共同理想与美好的愿望。
When examining the works of the second regular script exhibition, the author takes a clear approach on the expression of the work and can feel the classic inheritance of the ancient calligraphy, Mo Fa, zhang law, interest and style with his technique. The works basically follow the tradition, take the ancients, seldom see unexpected obedient, letter pen as the body of alternative works, people feel the calligraphy is guiding and advocating calligraphy creation respect for tradition, respect for the ancients, return to the source of the atmosphere. Contemporary Chinese calligraphy is also learning from previous generations with unprecedented enthusiasm, energy and open mindedness. “Returning to tradition” is also becoming a common ideal and a beautiful aspiration of contemporary calligraphy.