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国际主义设计单调、沉闷的风格给社会人造成心灵上的隔离,阻碍了社会交往。世界建筑设计后现代的创始人之一迈克尔·格雷夫斯以自己“隐喻的建筑”风格打破其现代建筑的个性丧失和空间歧义,以人文思想为依托进行人文建筑设计,传递具有人本主义的隐喻的建筑语言。文章通过对迈克尔·格雷夫斯的设计思想和风格进行简要描述并试图提出启示,旨在对中国当代建筑设计被迫面临的“现代性”与“中国特色”的设计之路进行思考。
The monotonous and boring style of internationalism has created psychological isolation for the community and hindered social interaction. Michael Graves, one of the founders of postmodern architecture in the world, breaks the loss of personality and space ambiguity of modern architecture with his “metaphorical architecture ” style and relies on humane thinking to carry out humanistic architectural design and delivers people - oriented Architectural metaphor of language. By briefly describing and attempting to put forward the design ideas and styles of Michael Graves, the article aims to design the “Modernity” and “Chinese Characteristics” that contemporary Chinese architectural design is forced to face Thinking.