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回溯到1979年,基于探索一种影响关系,即建筑与文字,建筑与戏剧、建筑与媒体驱动的信息世界之间的关系,这两位美国建筑师被紧密的联系在一起。这种多学科间的交叉研究提出了建筑在文化与社会习俗中的位置问题,并用分析的方法解释现有的设计风格,闲遐生活和空间组织。伊丽莎白·迪勒和雷卡多·斯科费迪奥的作品已在洛杉矶的MOCA展出,在纽约的MOMA和惠特尼展出。他们在法国所做在大量工作引发若干个专题性的展览:1992年在巴黎的Philippe Uzzan画廊,在波尔多的Arc en Reve建筑中心,以及在格勒诺布尔的Le Magasin现代艺术中心,1993年在卡思特斯,1994年在卡昂圣母修道院的FRAC巴斯·诺曼底的一栋建筑中,一个名为“小提箱研究:超越国界的产品”的展览在布鲁塞尔美术宫的社交博览会上展出。“悠闲住宅”座落在距沙滩落地以西二英亩的地方,高出美国长岛的
Back in 1979, the two American architects were closely linked based on the relationship between exploring an influence relationship, namely architecture and writing, architecture and drama, architecture and media-driven information world. This interdisciplinary cross-disciplinary study raises the issue of the position of architecture in culture and social customs, and uses analytical methods to explain existing design styles, leisure life, and spatial organization. The works of Elizabeth Diller and Recado Scoffedio have been exhibited at MOCA in Los Angeles and exhibited at MOMA and Whitney in New York. Their extensive work in France led to several thematic exhibitions: the Philippe Uzzan Gallery in Paris in 1992, the Arc en Reve Architecture Center in Bordeaux, and the Le Magasin Modern Art Center in Grenoble, in 1993. In the construction of Fraser Bass Normandy in the monastery of Notre-Dame de la Cay in 1994, Castels, an exhibition entitled “Carryover research: products that transcend national borders” was exhibited at the social fair of the Palace of Fine Arts in Brussels. The “Lazy House” is located two acres west of the beach, above the island of Long Island, USA