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本文简述了德语戏剧《命运之轮》的情节概要,介绍了该剧在国内外上演的情况,并指出这是一部涉及很少人关注的吉普赛人命运题材的优秀剧作。作者当然并不只是希望挖掘过去,他更期盼过去的历史对未来的昭示,过去的惨剧对未来的影响。因此他采取了后现代手法将题材碎片化,令当下的现实与对过去的回忆相互穿插,强调其中的互文性效果。
This article outlines the synopsis of the German drama The Wheel of Fortune, introducing the play in the country and abroad, and pointing out that it is an excellent play on the subject of the fortunes of the Roma who are rarely seen. Of course, the author certainly does not just want to tap the past. He also looks forward to the past history of the future and the impact of the past tragedies on the future. Therefore, he adopted a postmodern approach to fragmenting the theme so as to make the present reality and the memory of the past interpenetrate and emphasize the intertextual effect.