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法国剧场从20世纪90年代起开始世代交替,新世代的导演纷纷跃上台面,得到重用,陆续接掌各大公立剧场和剧展组织。这一代导演的作风和上一代明显不同,他们导戏不甘被文字绑架,演出标榜戏剧性本质,过程不按牌理出牌,务求彻底突破舞台剧表演的窠臼。这些充满创意与动感的作品,究竟是见人所未见、启人深思,还是“调皮捣蛋”(gamineries)~([1])、哗众取宠?这个疑问促使本人进
French theater from the 20th century, 90 years began alternating generations, a new generation of directors have jumped onto the table, be reused, one after another to take over the major public theater and drama organizations. The style of this generation of directors is obviously different from that of the previous generation. They guide the play unwilling to be kidnapped by the characters. The performance of the show advertises the dramatic nature. The process is not based on the cards, so as to completely break the stereotype of theatrical performances. Whether these works of art full of creativity and motion are seemingly unprecedented, entertaining, or gamineries ~ ([1]