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当代美学中对中国传统绘画美学范畴研究的目的与重心在于清理中国古代绘画美学思想的脉络 ,从而建构传统绘画美学思想的体系。在中国古代绘画美学系统中 ,意境是代表中国艺术根本精神的重要范畴 ,“一画”是到达此境界的基本大法 ,形与神是古代艺术家对创作主客体关系的认识 ,“虚静”是创造者必须具备的审美态度 ,笔墨是中国绘画独特的艺术语言 ,它们构成了中国古典绘画美学的完整体系
The purpose and center of gravity in the study of the category of Chinese traditional painting aesthetics in contemporary aesthetics lies in the system of clearing the aesthetics of the ancient Chinese painting aesthetics and constructing the traditional aesthetics of painting. In the ancient Chinese aesthetics of painting system, artistic conception is an important category that represents the fundamental spirit of Chinese art. “One Painting” is the basic Dafa that reaches this state. Form and God are the ancient artists’ understanding of the relationship between the Creator and Creator. The aesthetic attitude that creators must possess is the unique artistic language of Chinese painting, which constitutes the complete system of Chinese classical painting aesthetics