论文部分内容阅读
著名导演吴天明的遗作《百鸟朝凤》在全国公映后,遭遇排片量极少、无法进入黄金时段等问题,面临血本无归的危险。而以志愿者身份参与发行的劳雷影业总裁方励以悲情的方式向影院老板下跪,乞求增加排片量,在社会上引发强烈反响。该片的命运就此实现逆转,排片量和票房急剧上升。当代中国艺术电影以何种方式才可能在市场上获得成功?中国电影应该如何在艺术与市场之间找到相对的平衡?这些都是电影《百鸟朝凤》的命运带给我们的思考。本栏目特
Well-known director Wu Tianming’s excerpt of “100 birds toward Phoenix” in the country after the release of films encountered very small, unable to enter prime time and other issues, face the risk of losing everything. While working as a volunteer to participate in the release of Laurie Studios president Fang Li tragic way to kneel to the cinema boss, begging to increase the amount of film, in the community aroused strong repercussions. The fate of the film to achieve this reversal, filming and box office soared. How can contemporary Chinese art films succeed in the market? How should Chinese films find a relative balance between art and market? These are the thoughts that the fate of the movie “The Hundred Birds toward Phoenix” brings us. This column special