“李渔,字笠鸿、谪凡,号笠翁,浙江兰溪人。家设戏班,常往各地达官贵人门下演出。著有《闲情偶寄》,包括戏剧理论、饮食、营造、园艺等方面内容。所作传奇《风筝误》、《蜃中楼》、《玉搔头》等十种,合称《笠翁十种曲》。”这是《中国戏曲曲艺词典》上对李渔的一段介绍。从这段文字平平的介绍,我们很难看清李渔其人,想要为他下一个十分明确的定义,确实是件颇费脑筋的事情。 “Li Yu, the word Li Hong, 谪 where, number 翁 Weng, Zhejiang Lanxi. Home Theater, often dignitaries perform under the door. Aspects of the legendary ”kite mistakes“, ”mirage“, ”jade scratch head“ and other ten, collectively known as ”Ba Weng ten kinds of songs.“ ”This is“ Chinese Opera Quyi Dictionary ”on the section of Li Yu Introduction. From this flat introduction of the text, it is very difficult for us to see Li Yu-fai and want to define a very clear definition for him.