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错觉问题的产生和发展奠定了艺术形式论的根基,从德国古典美学入手,康德、谢林和黑格尔关于艺术与自然关系的分析彰显了形式问题的本质,使形式成为艺术同世界相联的唯一纽带。无论是艺术形式论还是德国古典美学都努力将形式问题从传统的模仿论中“解救”出来,主张对艺术对象进行有限的变形,使真和美在艺术形式中得到融合,并为分析现代艺术形式奠定了基础。
The emergence and development of the illusion problem laid the foundation of the art form theory. Starting with the German classical aesthetics, the analysis of the relationship between art and nature by Kant, Xie Lin and Hegel highlight the nature of the formal problem and make the form the connection between art and the world The only bond. Both the art form theory and the German classical aesthetics are striving to “formalize” the problem of form from the traditional theory of “imitation.” They advocate the limited transformation of the art object so that the true and the beautiful are fused in the art form, The art form laid the foundation.