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在进行弘扬中华文化,培育时代精神的调查研究中,由于地域文化特点,主要选取了满族民间美术造型调研。我们应该把它提高到作为文化资本的高度。它所带来的非物质经济的视角,给我们重新关照它的研究的意义,其更加符合人类可持续生存的要求。我国人口众多、资源有限,大力发展文化产业和非物质经济,在这个意义上,满族民间美术造型将为我们拓辟更广泛的文化空间。一、满族剪纸的背景经历史考证,满族的民间剪纸起源于明代。后金皇太极时(公元1626-1643),女真人开始造纸,为满族民间剪纸的发生、发展创造了重要条件。满族剪纸的真正源头,来自满族的原始宗教--萨满教。生活在林海雪原中的满族人,崇奉神,是需要图像予以实现的,因此剪纸因材料和操作的便利,成为主要的表现形式。
In the investigation and study that carried forward the Chinese culture and fostered the spirit of the times, the survey mainly focused on the study of Manchu folk art style because of the regional cultural characteristics. We should raise it to the level of cultural capital. The non-material economy brought by it brings us to re-examine the significance of its research, which is more in line with the requirements of sustainable human survival. In this sense, the Manchu folk art style will open up a broader cultural space for us because of its populous and limited resources, and the vigorous development of cultural industries and non-material economy. First, the background of Manchu paper-cut Historical research, Manchu folk paper-cut originated in the Ming Dynasty. Golden Emperor Taichi (AD 1626-1643), Jurchen started papermaking, which created important conditions for the occurrence and development of Manchu folk paper-cut. Manchu paper-cut the real source, from Manchu’s primitive religion - shamanism. The Manchu people who live in the snowfields of Linhai, who worship God, need images to be realized. Therefore, paper-cutting has become the main manifestation due to the convenience of materials and operation.