张聃推介词推介人:薛保华流动的视觉形象在张聃的早期作品中已见端倪,但相形之下,早期的形象在流动性上具有较强烈的设计痕迹,而近期的作品则已显现出他对画面驾驭的轻松与自信,画面灵动、轻快的感觉显示出张聃随心所欲的才情张扬。从“兔女郎”系列到“狐狸精”系列,中国传统图式的出现是一个显著的变化,中国山水、太湖石、戏曲脸谱等元素的不时闪现表达了对传统文化的关注与思考。显然这些中国文化元素只是作为暗示性的符号,仅仅保留了某种似是而 Zhang 聃 Presenter: Xue Baohua The visual image of the move has already taken shape in Zhang Jian's early works, but in contrast, the early images have more intense design traces on liquidity, while recent works have shown His ease of control of the picture and self-confidence, the screen clever, brisk feeling shows Zhang 聃 arbitrary talent publicity. From the “Bunny” series to the “Vignette” series, the emergence of traditional Chinese graphics is a significant change. The Chinese landscapes, Taihu Rocks and opera masks flashed from time to time to express their concern and consideration for traditional culture. Obviously, these elements of Chinese culture are only used as suggestive symbols, only retaining something similar