“诗格”是唐人对当时研究和探讨诗歌声律对偶、用事取境等艺术技巧一类理论批评著述的总称。作为批评样式的诗格是指为近体诗建立的法式和成规。诗格研究并不仅仅是对诗歌声律形式本身的讨论,而是在这些最基本的格法之上,追求诗歌语言表意功能的实现、诗歌审美效果的建构等,对“格”①的更高层次的实现。那么,诗格研究是怎样实现诗歌形式格法不同层次之间相互勾连的呢?这就涉及到研究诗歌由声律等“技术”层如何向造势取境之 “Poetry ” is the general term of the Tang Dynasty criticizing the writings of the Tang Dynasty when it studied and explored the duality of poetic temperament, farewell and other artistic skills. Poetry as a criticism style refers to the French style and conventions established for near-body poetry. The study of poetic style is not merely a discussion of the form of poetic music itself, but rather the pursuit of the function of ideographic expression in poetic language and the construction of the aesthetic effect of poetry on these basic forms of latticework. The higher level of realization. So, how does poetic research connect with each other at different levels of the form of poetry? This involves the study of how poem is removed from the “technology”