隋唐是我国封建社会的全盛时期。在这一时期,以小农生产为主的封建经济达到了空前的繁荣。尤其是唐“贞观”“开元”时期,政治清明,经济发达,社会安定,国力强盛。与之相应的文化艺术方面也是前所未有的。在与周边各国的交往过程中,隋唐的统治者在文化上采取兼容并蓄的政策,吸取融合了许多外来的因素,民族文化素质得到了很大的提高。白居易的《杨柳枝词》写到:“《六幺》《水调》家家唱,《白雪》《梅花》处处吹。”王建的《凉州词》中:“城头山鸡鸣角角,洛阳家家学胡乐。”这些都是隋唐音乐文化高度发展与普及的生动反映。隋唐的声乐演唱,在这一时期同样是生机勃勃。不但演唱的技巧性大为提高,表现的内容形式多样,而且涌现了一大批著名的声乐演唱家和词曲作家,总结形成了一定的声乐演唱理论和声 Sui and Tang Dynasties is the heyday of feudal society in our country. During this period, the feudal economy dominated by small-scale farmers reached an unprecedented prosperity. Especially in the period of Tang “Zhenguan ” “Kaiyuan ”, the politics are clear and bright, the economy is prosperous, the society is stable, the national power is prosperous. Corresponding to the arts and culture is also unprecedented. In the process of engagement with neighboring countries, the rulers of the Sui and Tang dynasties embraced a culturally compatible policy that incorporated many external factors and greatly improved their national cultural qualities. Bai Juyi’s “Willow Branch Ci” wrote: “” Six Unitary “” water tune “every family sing,” Snow White “” plum “everywhere blowing.” “Wang Jian’s” Liangzhou words “ Ming angle, Luoyang family learning Hu music. ”These are the Sui and Tang Dynasties music culture highly developed and popularized vividly. The vocal music of the Sui and Tang dynasties was also alive and well during this period. Not only the skills of singing greatly improved, the performance of various forms of content, and the emergence of a large number of famous vocal singers and songwriters, summed up the formation of a certain theory of vocal singing