“假使把先生的学术方面放得太大,那么有些研究学术的人,在稍有成就之后,往往轻视书法,看作余事。但是,先生不然。我觉得先生的书道是一面挺立的高举的辉煌大旗,他尽管可说是学者,但与一般埋头钻研的学者不同,始终没有轻视或小视书法。假使说书法是小技,他是从小技发展到大成的。所以,我们可以在他的书法中看到他的理论,也可以在他的书论中印证他的书法,这样综合论述,似乎更觉公允而妥当。”这是郭绍虞为《沈尹默书法集》写序中一段话。沈尹默并不以书法为小技。他在官宦家庭长大, “If the scholarly aspect of the professor is too big, then some academic researchers, after a little accomplishment, tend to underestimate the calligraphy as an afterthought. But, sir, otherwise, I think the scrivener is upright Although he can be said to be a scholar, he has never looked down upon or studied Chinese calligraphy, although he is a young man with a calligraphy skill, so he can be Seeing his theory in his calligraphy, it is also possible to confirm his calligraphy in his book theory. It seems that such a comprehensive discussion seems fair and proper. ”This is Guo Shaoyu’s essay in the preface of the“ Shen Yin Mo Calligraphy Collection. ” . Shen Yin Mo is not a calligraphy skills. He grew up in an official family,