我们正在见证这样的事实:长期以来,学院的油画教学的确处于一个两难境地。一方面,长久以来的大一统式的传统教学模式早已不能满足当下创作的需要,即使在具体教学过程中,教员都在不自觉地对其进行调整,但始终缺乏明晰的导向性纲领。与此同时,来自社会乃至世界的思潮、观念和艺术样式的冲击,又对学生的学习和创作实践影响至深。这种来自流行观念和思潮的影响,即背离学院传统教学的初衷,也似乎与真正的艺术价值相去甚远,不仅使教与学的双方存在逆向倾向,而且在对学生正确的艺术观 We are witnessing the fact that college oil painting has indeed been in a dilemma for a long time. On the one hand, the long tradition of large unified traditional teaching has long been unable to meet the needs of the present creation. Even in the specific teaching process, the teachers unconsciously adjusted them, but they always lacked a clear guiding program. At the same time, the impact from the social and even world ideological trends, concepts and artistic styles has profound implications for students’ learning and creative practice. This kind of influence from popular concepts and thoughts, that is, the departure from the original intention of the college’s traditional teaching, also seems to be far from the true artistic value. It not only makes the teaching and learning both have a negative tendency,