《鸭子拌嘴》和《老虎磨牙》是20世纪80年代由我国著名民族器乐演奏家、作曲家安志顺先生根据西安鼓乐的音乐素材创作而成的两部具有创造性的民族打击乐作品。两部作品自问世后在国内外引起了强烈的反响,成为建国以来中国民族器乐创作在打击乐领域的经典之作。从这两部作品的艺术形式和地域风格来看,西安地区的鼓乐——西安鼓乐对其的影响无疑是最大的,可以说,这两部作品的成功与历史上的西安鼓乐是有着较为直接的联系的。所谓西安鼓乐是指流行在陕西省西安、兰田以及周至一带的一种大型古典民族器乐形式。从历史形成来看,这一艺术形式是在传承了唐代燕乐的遗音之后,经历了其后的宋(金)、元、明、清各代的逐渐发展,进而形成了将鼓类乐器与吹管乐器合为一体进行演奏的“鼓乐”形式。从具体作品来看,流传至今的很多西安鼓乐作品大多都是手抄本,其传承的方式基本上是代代相传的口传心授,这些也都在今天所考证的尺半字谱当中得到相应的反映。从历史到今天,西安鼓乐的活动是十分频繁的,很多名山寺院曾经都是鼓吹乐社的主要活动场所,其中包括水陆庵、南五台、小五台、楼观台、仙游寺、大雁塔等,尤其庙会、道场和民间节庆日期间,西安鼓乐几乎成为各个乐社赛乐的重要场所。除此之外,西安鼓乐也与各类民俗活动息息相关,例如旱时求水、朝山进香、祈求平安、消灾免难等都有鼓乐社参加。在演奏形式西安鼓乐大致分为如下两种,即:“坐乐”与“行乐”。“坐乐”是一种大型的鼓乐套曲,其结构虽然复 “Duck Mixing” and “Tiger Mozu” are two creative national percussion works made by the famous nationality instrumentalist and composer Anshi Shun in Xi’an in the 1980s based on the musical material of Xi’an Drum Music. Since their publication, the two works have aroused strong repercussions both at home and abroad and became the classical works of Chinese national instrumental music in the percussion field since the founding of the People’s Republic. Judging from the artistic forms and geographical styles of these two works, the drum music in Xi’an is undoubtedly the most influential of Xi’an Drum Music. It can be said that the success of these two works has a direct connection with the history of Xi’an drum music The contact. The so-called Xi’an drum music is popular in Shaanxi Province, Xi’an, Lantian and Zhouzhi around a large-scale classical ethnic instrumental form. From the historical formation point of view, this art form inherited the gradual development of the Song, Jin, Yuan, Ming and Qing dynasties in the later generations of the Tang Dynasty, The style of the “Drums” that the wind instruments play together. In terms of specific works, most of the works of Xian Drums that have been handed down so far are mostly manuscripts. The way of their inheritance is basically the oral tradition of intergenerational communication. All of these are also found in the half-genealogies that are studied today reflect. From history to today, Xi’an drum music activities are very frequent, many temples have always been advocating the music club’s main venue, including the water Lu an, South Wutai, Wutai, Louguantai, Xianyou Temple, Dayan Towers, etc. In particular, temple festivals, temples and folk festivals, Xi’an Drum Music has become almost all the music club 赛 important venue. In addition, Xi’an Drum Music is also closely linked with various folk activities, such as seeking water during the dry season, pilgrimage to the mountains, praying for peace and eliminating disaster and eliminating disaster. In the form of playing drum music in Xi’an can be broadly divided into the following two, namely: “sitting music ” and “music ”. “Sitting music ” is a large drum music suite, although its structure is complex