《访古纪游图册》是清代金石考古家黄易重要的山水作品之一,具有较高历史、艺术价值。依据黄易题跋中屡屡提及的“辛卯”纪年,一般认为此册作于“乾隆辛卯腊月”即1771年12月。但其艺术风格与黄易同时期即早期山水作品差异很大,却几乎与得碑访碑图等晚期作品无异。笔者在徐邦达、刘九庵等故宫前辈鉴定意见基础之上,分析考证认为“辛卯”系“乙卯”之误改,是黄易为防范官场政敌作祟保全自身而刻意为之。因此,《访古纪游图册》应为写绘于乾隆六十年至嘉庆元年(1795-1796年)间的黄易晚年之作,从而在时间上弥补了黄氏《得碑十二图册》(1793-1794年)与《嵩洛访碑图册》(1796年)、《岱麓访碑图册》(1797年)之间缺失的关键一环,使四者连缀成为一个有机整体,对于黄易晚年金石访碑研究意义重大。 “Visit Ancient Tour Atlas” is the Qing Dynasty gold stone archeologist Huang Yi important landscape works, with high historical and artistic value. According to Huang Yi Postscript often mentioned “Xin Mao ” annihilation, the book is generally believed that this book was made in “Qian Long Xin Mao twilight moon”, that is, December 1771. However, his artistic style is different from Huang Yi’s early period landscape works, which are almost the same as the late works such as the monument and tablet. Based on the appraisal opinions of predecessors of the Forbidden City such as Xu Bangda and Liu Jiu’an, the author analyzes and verifies that the mistaken change of “Xin Mao” and “Yi Mao” is a deliberate attempt by Huang Yi to prevent himself from being a political rival in the government. Therefore, the “Visit to Ancient Tour Albums” should be written in Qianlong sixty years to the first year of Jiaqing (1795 - 1796) Huang Yi late years of work, which in time to make up for the " (1793-1994) and the missing links between Songliao’s Visiting Atlas (1796) and The Book of Dawn’s Visitors (1797), making the four of them connected as an organic whole , For Huang Yi late stone golden stone monument research significance.