在新世纪之交,“声音艺术”俨然成了准艺种,其相关展览经年不断,研究论述逐年增加,中心系所陆续成立,与此同时,“声音艺术”的定义却奇怪地悬置着,持续摆荡于过度广义一—所有非传统音乐的声音创作都是声音艺术,与过度狭义——只有声音装置是声音艺术这两者之间。前者等于悬置定义,后者却有排挤当代艺术制式规格以外种种“声音创作”的嫌疑。 At the turn of the new century, “sound art ” has become a quasi-art species. The related exhibitions have been going through years, and the research and discussion have been increasing year by year. The central departments are successively established. At the same time, the definition of “sound art” Strangely suspended, continuing to swing in the over-generalized - all non-traditional music sound creation is sound art, and excessive narrow - only the sound device is sound art between the two. The former equals to the definition of suspension, while the latter has the suspicion that all kinds of “sound creation” are excluded from the specifications of contemporary art style.