前言得知本文将载入上海博物馆建馆四十周年纪念文集,我感到很荣幸。首先我必须承认迄今我尚未亲见淮安墓出土书画原件;我的评述只是根据印刷品而作的初步探讨,尚有待于进一步研究。这些书画的发现在中外学者中引起了很大的兴趣;在国内的出版物 Foreword I am honored to learn that this article will be included in the collection of commemorative collections of the fortieth anniversary of the founding of the Shanghai Museum. First, I must admit that so far I have not seen the unearthed Huaian tomb painting and calligraphy original; my comment is based on the print and made a preliminary study, yet to be further studied. The discovery of these paintings has aroused great interest among Chinese and foreign scholars; in domestic publications