王夫之的诗学在中国文学批评史上有着重要地位,他诗论的研究对象主要是抒情诗,王夫之把佛教术语“现量”由佛教哲学引入到美学领域,把“现量”作为美学范畴正式提出,“现量”说也成为其美学思想体系的重要组成部分。它与“情景”论将中国古典抒情诗创作规律的美学研究推向了高峰。 Wang Fuzhi’s poetics plays an important role in the history of Chinese literary criticism. His poetics mainly focuses on lyric poems. Wang Fuzhi introduced Buddhist terms “present value ” from Buddhist philosophy to the field of aesthetics, and “present value The category of aesthetics has been formally put forward, and the ”present value“ has also become an important part of its aesthetic system. It and ”Scenario " on the Chinese classical lyric poetry aesthetics research to the peak.