最近看了李洁非同志发表在《上海戏剧》上的两篇文章,知道已在上海引起相当的反响,并波及到了北京,戏曲界论坛的沉寂有了些动静,是件好事。两篇文章很有些内容值得探讨,触动自己较大的有以下几点: 第一,李洁非在《死与美》中说:“我对戏曲界可以做到斗胆妄言从理论建设上看,戏曲界的情况与别的艺术领域相比,恐怕是比较糟糕的,它经常用某种令人啼笑皆非的逻辑和观点来谈论艺术问题,这些观点大部分来自于50年代的那种苏联文艺概论体系教条,而这种体系的主要特点都是以社会史逻辑代替艺术史逻辑,以政治经济学代替艺术本体论。不管 Recently, I read two articles published by Comrade Li Jiefei on the Shanghai Drama. I know that it has aroused considerable repercussions in Shanghai and has spread to the silence of the forum in Beijing and the opera industry. It is a good thing. Two articles are worth discussing some of the larger touches on their own the following points: First, Li Jie Fei in the “Death and Beauty” said: "I can play daring to the opera industry From the theoretical point of view, the opera industry Is probably worse than any other field of art. It often speaks of art with some kind of ridiculous logic and point of view, largely derived from the dogma of the Soviet literary and canonical system of the 1950s, The main features of this system are to replace the logic of art history with the logic of social history and to replace the art ontology with political economy.