论文部分内容阅读
书法中审丑的开始可以追溯到宋代,这是一个书法趣味开始形成的时代。趣味天然地具有一种扩张的本性,它要将自己的触角伸向最广阔的领域,因此开始形成对丑拙书法的审美。宋代之前的书法是一种以“善好”为共同目标的书法,从宋代以后形成了以个性为目标的书法,这是导致书法审丑形成的深层原因。经过碑学运动后,丑拙书法开始进入书法主流,但只有经过二十世纪末的流行书风的改造,这种书法才最终得以完成,它是将书法作为纯粹艺术追求的产物。然而,丑书还有可以继续深入的空间,流行书风并没有触及丑书更深刻的层面。这是值得继续探索的方向。
Beginning of the ugly calligraphy can be traced back to the Song Dynasty, this is an era of calligraphy began to form. Interest naturally has an expanding nature, it is to extend its reach to the most vast areas, and therefore begin to form the aesthetic of ugly calligraphy. Before the Song Dynasty calligraphy was a calligraphy with the common goal of “goodness”. Since the Song Dynasty, the calligraphy with individuality as its goal has been formed. This is the deep reason that led to the formation of calligraphy ugly. After the sculptural movement, ugly calligraphy began to enter the mainstream of calligraphy. However, it was only through the transformation of the popular style of calligraphy at the end of the 20th century that calligraphy was finally completed. It was a product of the pursuit of calligraphy as a pure art. However, the ugly book has room to go further, and the popular book style does not touch the deeper level of the ugly book. This is a worthwhile exploration.