论文部分内容阅读
本文通过对20世纪以前欧洲音乐与接受者关系的考察,指出浪漫主义时期之前音乐与接受者大体上是一种顺从的关系,音乐屈从于接受者;而在浪漫主义时期,音乐与接受者之间则主要体现出一种冲突关系。由此进而指出浪漫主义时期之前的顺从关系造成了音乐总体上共性化、客观化、一元化的特点。而浪漫主义时期的冲突关系则使音乐呈现出个性化、主观化、多元化的特点。笔者希望通过本文的论述能为人们从接受之维去解读音乐作品获得启示。
By examining the relationship between music and the recipient in Europe before the twentieth century, this article points out that before the romantic period, music and the recipient were in general a submissive relationship, and music succumbed to the recipient. In the romantic period, the relationship between music and the recipient Between the main embodiment of a conflict. From this, it points out that the pre-romantic period of obedience resulted in the generalization, objectivity and unity of music. However, the conflict relations during the Romantic period make the music appear personalized, subjective and pluralistic. The author hopes that through the discussion of this article, people can gain enlightenment from the accepted dimension to interpret the musical works.