我原来一直以为徐则臣是上世纪60年代出生的作家。之所以产生这种错觉,是因为徐则臣的创作坚持走叙事形式的探索的道路。他的小说在空间叙事探索上已经取得了卓有成效的实绩,相信读他的《耶路撒冷》的同仁都会有这种判断。叙事形式探索曾经是“60后”作家的专利。我错判徐则臣为“60后”作家就是出于这种“定见”。自从 I had always thought that Xu Zechen was a writer born in the 1960s. The reason for this illusion is that Xu Zechen’s creation sticks to the path of exploring narrative forms. His novels have achieved fruitful results in the exploration of spatial narratives, and he believes such judgments will be made by those who read his “Jerusalem.” Narrative forms to explore the once “60” “writer’s patent. I am wrong to judge Xu Zechen for ”60 “ writer is out of this ”prejudice ". since