论文部分内容阅读
中国近代文艺的发展一直是思想启蒙的话题之一。无论是白话文运动,还是诗界革命、小说界革命,都是对思想启蒙的回应。种种的运动与革命对传统的艺术形式、风格、趣味形成了巨大的冲击。在此背景中诞生的“美术革命”思潮率先激荡了传承千年的书画传统,从而引发了关于国画“写实”与“写意”的争论以及对文人画传统的批判。此后各家对“写实主义”的论述逐渐使其从技法和风格层面拓展为一种新的时代精神,建立起一种具有“主流美术”意味的价值判断,从而具有了强烈的意识形态色彩。本文试图在思想启蒙的语境中还原近代“写实主义”观念的产生及其表现,在观念与现象的相关阐释中进入对中国近代绘画中的“写实主义”思潮的理解。
The development of modern Chinese literature and art has always been a topic of enlightenment. Both the vernacular movement, or poetry revolution, novel revolution, are in response to the enlightenment. All kinds of sports and revolution have had a huge impact on the traditional art forms, styles and tastes. The “art revolution ” ideological trend born in this background took the lead in stirring up the tradition of painting and calligraphy inheriting the millennium, which triggered the debate on the traditional Chinese painting “realistic ” and “freehand ” and the criticism of the literati ’s tradition. Since then, the expositions on “realism ” have gradually extended them from a technical and style level to a new spirit of the times and established a value judgment with the meaning of “mainstream art ”, thereby having a strong Ideological color. This essay attempts to restore the emergence and performance of the modern “realism” concept in the context of the enlightenment of ideas and enter the comprehension of “realism ” thought in the modern Chinese paintings in the explanation of the concepts and phenomena.