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“花儿”作为传唱于西北的主要民歌形式,其主要流行在汉、回、土等8个民族中。回族“花儿”中关于男女间情爱的描写比较大胆和开放,这正好与回族内敛、含蓄的民族性格形成了鲜明的对比。文章从西北回族的所秉承的严肃和庄重的伊斯兰教文化以及回族的生存的自然、人文环境中入手,分析形成这样一种民族性格和民歌文化的原因,并尝试的分析此二者和谐相聚于回回民族的深层次因素。
“Flowers ” as the main form of folk songs sung in the northwest, its main popular in Han, Hui, Tu and other ethnic groups. The description of the love affair between men and women in the Hui and Hua’ery is more bold and open, which is in stark contrast to the restrained and subtle ethnic character of the Hui people. This article starts from the serious and solemn Islam culture upholds by the Hui people in the Northwest and the natural and humanistic environment of the survival of the Hui people. It analyzes the reasons for the formation of such a national character and folk song culture, and attempts to analyze the harmonious cohesion between the two Back to the deep-seated elements of the nation.