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Was the chase on the balconies of the dollhouse a tough fight scene？
阳台玩偶屋的追逐格斗戏难拍吗？
Yeah， there’s a lot of wirework， jumping around and stuff like that， but I think it was relatively less taxing on me than the other fights. Actually， the Widow fight was hard because it was near the end of the shoot. It was deep in this New Orleans summer and we’re in those underground barracks there. So it was extremely hot and humid there and hard to breathe.
嗯，一直要吊威亚，跳来跳去的，但比起其他几场格斗，这场相对而言算比较轻松的。事实上，艳寡妇那场戏拍得很艰难，因为电影的拍摄已经接近尾声。当时是新奥尔良的盛夏时节，我们又在地下军营里，里面极其闷热潮湿，难以呼吸。
Do those throwing stars actually throw well？
飞镖好飞吗？
They get bent up pretty easily， which were basically laser cut pieces of steel. We did mess around with them a lot.
飞镖很容易弯，它们实际上是激光切割的钢片。我们常常被弄得手忙脚乱的。
The colors are so vibrant on TV. What does it look like when you’re on location？
银幕上的场景色彩艳丽，你在现场看到的是怎么样的呢？
It is pretty brilliant looking. The lighting is done by Shane Hurlbut our cinematographer. He’s just amazing. You walk onto some of those sets and it’s just gorgeous. That golden light that comes through， the poppies were there. Most of it you can see while we’re making it. Most of it is done through lighting but not much is done through color correction.
色彩相当明丽。灯光是我们的电影摄影技师谢恩·赫尔巴特做的。他简直神了。你只要走入场景，一切都绚丽夺目起来。金色灯光穿射过来，罂粟花立马显现。你看到的大部分就是我们实际拍摄所得的，明丽的色彩效果大多靠灯光打造，靠上色修正的不多。
Do you fight in motion capture in Warcraft？
《魔兽》拍摄中你参与了动态捕捉吗？
Yeah， I fight in motion capture but very different than how I fight in Badlands. He’s an orc monster so I had to learn how to fight like that， as well as learn how to move and walk and breathe and talk like an orc. That was a major part of the training for that movie.
有，我参与了动态捕捉，但和我在《荒原》里的不一样。他是半兽人，所以我得学他打斗的样子，还要学习如何像半兽人一样行动、走路、呼吸以及说话。这是拍摄这部电影要训练的重头戏。
Was performance capture a big adaptation for you？
表演捕捉是不是需要你尽可能去适应？
One of the main driving forces for me to accept this movie was that I got to work in motion capture and I wanted to explore it. The technology’s gotten to the point where it’s really advanced now. I’ve seen a 95% completed version of the movie and just looking at the level of detail， the orc I play， you can see the pores in their skin and you can see the moisture in their eyes.
使我接受这部电影的动力之一是我可以参与动态捕捉，我也想探索一番。拍摄技术现在确实先进。我看过电影完成到95%的版本，光看看我扮演的半兽人的细节制作，你都能看到皮肤毛孔和眼睛里的水分。
Orcs are one of the most famous creatures in Warcraft. Did you play the game and did it help you at all with research？
半獸人是《魔兽》里最知名的生物了，你自己玩这款游戏吗？对你的研究有没有帮助？
I tried to go through a lot of the lore online. It was very informative. The character really came to fruition during that period we did the orc class to learn how to move like orcs. It was an interesting process. It helped me develop the character in a massive way.
我试图在网上多学点知识，上面信息量很大。在我们开始上半兽人课，学习如何像半兽人一样行动的那一段时间里，这个角色就真正成熟了起来。这个过程很有意思，在角色的塑造上给了我很多帮助。
阳台玩偶屋的追逐格斗戏难拍吗？
Yeah， there’s a lot of wirework， jumping around and stuff like that， but I think it was relatively less taxing on me than the other fights. Actually， the Widow fight was hard because it was near the end of the shoot. It was deep in this New Orleans summer and we’re in those underground barracks there. So it was extremely hot and humid there and hard to breathe.
嗯，一直要吊威亚，跳来跳去的，但比起其他几场格斗，这场相对而言算比较轻松的。事实上，艳寡妇那场戏拍得很艰难，因为电影的拍摄已经接近尾声。当时是新奥尔良的盛夏时节，我们又在地下军营里，里面极其闷热潮湿，难以呼吸。
Do those throwing stars actually throw well？
飞镖好飞吗？
They get bent up pretty easily， which were basically laser cut pieces of steel. We did mess around with them a lot.
飞镖很容易弯，它们实际上是激光切割的钢片。我们常常被弄得手忙脚乱的。
The colors are so vibrant on TV. What does it look like when you’re on location？
银幕上的场景色彩艳丽，你在现场看到的是怎么样的呢？
It is pretty brilliant looking. The lighting is done by Shane Hurlbut our cinematographer. He’s just amazing. You walk onto some of those sets and it’s just gorgeous. That golden light that comes through， the poppies were there. Most of it you can see while we’re making it. Most of it is done through lighting but not much is done through color correction.
色彩相当明丽。灯光是我们的电影摄影技师谢恩·赫尔巴特做的。他简直神了。你只要走入场景，一切都绚丽夺目起来。金色灯光穿射过来，罂粟花立马显现。你看到的大部分就是我们实际拍摄所得的，明丽的色彩效果大多靠灯光打造，靠上色修正的不多。
Do you fight in motion capture in Warcraft？
《魔兽》拍摄中你参与了动态捕捉吗？
Yeah， I fight in motion capture but very different than how I fight in Badlands. He’s an orc monster so I had to learn how to fight like that， as well as learn how to move and walk and breathe and talk like an orc. That was a major part of the training for that movie.
有，我参与了动态捕捉，但和我在《荒原》里的不一样。他是半兽人，所以我得学他打斗的样子，还要学习如何像半兽人一样行动、走路、呼吸以及说话。这是拍摄这部电影要训练的重头戏。
Was performance capture a big adaptation for you？
表演捕捉是不是需要你尽可能去适应？
One of the main driving forces for me to accept this movie was that I got to work in motion capture and I wanted to explore it. The technology’s gotten to the point where it’s really advanced now. I’ve seen a 95% completed version of the movie and just looking at the level of detail， the orc I play， you can see the pores in their skin and you can see the moisture in their eyes.
使我接受这部电影的动力之一是我可以参与动态捕捉，我也想探索一番。拍摄技术现在确实先进。我看过电影完成到95%的版本，光看看我扮演的半兽人的细节制作，你都能看到皮肤毛孔和眼睛里的水分。
Orcs are one of the most famous creatures in Warcraft. Did you play the game and did it help you at all with research？
半獸人是《魔兽》里最知名的生物了，你自己玩这款游戏吗？对你的研究有没有帮助？
I tried to go through a lot of the lore online. It was very informative. The character really came to fruition during that period we did the orc class to learn how to move like orcs. It was an interesting process. It helped me develop the character in a massive way.
我试图在网上多学点知识，上面信息量很大。在我们开始上半兽人课，学习如何像半兽人一样行动的那一段时间里，这个角色就真正成熟了起来。这个过程很有意思，在角色的塑造上给了我很多帮助。