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塞尚不是将物象表现停留在再现性的画家,而是从艺术内部的形态挖掘对整个艺术观念上的重新定位。塞尚坚持把表现他独特的艺术真实性作为毕生的追求目标,他冲破了传统三位透视对画面的约束,而重视体现物象的体积感、稳定感和重量感,使画面达到看似简单是不简单的效果,在美学观念上也从再现客观现实转移到主观感受的艺术表现。
Cezanne is not a painter who keeps the representation of objects in the reproducibility, but excavates the repositioning of the whole artistic concept from the internal form of the art. Cezanne insisted on his unique artistic authenticity as a lifelong pursuit of goals, he broke through the traditional three perspective on the image of the constraints, and to emphasize the sense of volume to reflect the object, the sense of stability and weight so that the picture appears to be simple Not simple effect, the aesthetic concept of the objective reality from the reproduction of the subjective feelings of the artistic performance.