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本文将从音乐创作角度对保罗·杜卡《魔法师的弟子》进行分析,主要针对于作者独具匠心的配器手法展开论述,揭示作者如何利用各种配器手法来表现主导动机、推动音乐的发展,揭示所表达的特有情绪及音色的特定处理,从而更加深刻领悟这部作品的独特魅力。全文大体分为三个部分来论述。第一部分主要针对《魔法师的弟子》中乐队编制及音响方面的分析。在这一部分主要包含三个小方面的内容:变种乐器的运用及其带来的音响变化、弦乐组角色的变化和管乐组与弦乐组的合理搭配。第二部分主要是对个别色彩性乐器的分析。第三部分主要是对具有独立意义的音型化写作方面的论述。
This article will analyze Paul Duca’s “Magician’s disciples” from the point of view of music creation. The dissertation will focus on the author’s unique arrangement of instruments, revealing how the author uses various techniques to show the dominant motivation, promote the development of music, and reveal The expression of the specific emotions and timbre specific treatment, so as to more profound insight into the unique charm of this work. The full text is divided into three parts to discuss. The first part is mainly for “magician disciples” in the band preparation and sound analysis. In this part, there are mainly three small aspects: the use of variations of musical instruments and the sound changes they bring, the changes of strings’ roles, and the reasonable collocation of wind and string groups. The second part is mainly about the analysis of individual color instruments. The third part mainly discusses the phonetic writing with independent meaning.