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如果要问谁是画史上最具传奇色彩的风流浪子,那当属唐寅无疑。唐寅(1470～1523年),初字伯虎,后更字子畏,号六如居士、挑花庵主、鲁国唐生、桃禅仙史等,江苏吴县吴趋里(今苏州)人。少有俊才、博雅多识,自称江南第一风流才子。唐伯虎玩世不恭而又才气横溢,在诗文上声名显赫,展露出特异的个性。他蔑视圣贤、关注民生,作为江南纵情任性的代表人物,与祝枝山、文徵明和徐桢卿并称“吴门四才子”在绘画上,尤长山水与人物,作品运用形象的笔墨业表现独立人格的精神追求,流注着一种激愤且狂放不羁的思想。与沈周、文徵明、仇英并称为明四家,对明中期以后的绘画产生了深远的影响。唐寅独特艺术风格的产生,与他的卖画生涯有着密切的内在联系。
If you want to ask who is the most legendary romantic prodigal history, it was undoubtedly Tang Yin. Tang Yin (1470 ~ 1523), the first word after the tiger, after the word dauntless, number six as a layman, pick the anviant master, Luguo Tangsheng, Tao Zen immortal history, Wu County, Jiangsu Province Wu (in Suzhou) people. Less handsome, liberal knowledgeable, claiming to be the first Merry Jiangnan genius. Flirtatious and talented, Tang Bohu is renowned for his poems and shows a distinctive personality. He defied the sages and paid attention to the people’s livelihood. As a representative of Jiangnan’s indulgent capriciousness, he and Zhu Zhizhan, Wen Zhengming and Xu Zhenqing said that “the four witches of Wumen” were independent in their paintings, especially in landscapes and figures, Pursuit of the spirit of personality, infused with an indignant and wild unruly ideas. And Shen Zhou, Wen Zhengming, Qiu Ying and Ming Ming four, on the painting after the mid-Ming has had a profound impact. Tang Yin’s unique artistic style is closely linked with his selling career.