艺术作品的“商标化”有其视觉环境演变的本质根源。现在的视觉环境已然是一个图像或影像的世界,在新的视觉环境下,艺术家挪用和拼贴现成的图像是非常普遍的一种趋向。在青年艺术家的画作当中,最为明显的特征是绘画语言的进一步消解和视觉形态的符号化。他们习惯于以直接明了的符号形式表达其视觉所及的图像,他们作品上的符号形式更多地来源于网络、动漫、影视等媒介资源以及城市斑 The “trademark” of works of art has the essential origin of its visual environment evolution. Now that the visual environment is already a world of images or images, it is quite common for artists to embellish and collage ready-made images in a new visual environment. Among the young artists’ paintings, the most obvious feature is the further resolution of the painting language and the symbolization of visual forms. They are accustomed to expressing their visual images in the form of direct and clear symbols. The symbolic forms in their works derive more from media resources such as the Internet, animation, film and television,