人们喜欢简洁的文章。古往今来,流传着多少文坛名人简洁文字的佳话。欧阳修一句“环滁皆山也”,一句“逸马毙犬于道”,成了锤炼文字的千古美谈。绍兴才子徐文长,曾替一位年青寡妇写了一张短状:“十五嫁,十六寡。公鳏,叔大。花少叶,叶缺花。嫁乎?不嫁?”出乎意料,原先一直刁难此寡妇再嫁的县官,看罢此状,竞顿生侧隐之心,爽快捉笔判嫁。此状容量大,用字极省。增一字则嫌多,减一字则嫌少,一字千钧,无隙可击,可谓“惜墨如金”,简洁得令人叹为观止的了。那么,“洒墨如泼”的文章又当何论呢?例如鲁迅的《祝福》,写祥林嫂讲阿毛被狼吃掉的悲惨故事的经过,就用了两大段几乎一句不易的反复叙述。这是行文罗嗦吗?否!恰好相反,正是这样的反复,才将祥林嫂的悲剧性格,入木三分地刻画了出来。狼吃阿毛的故事,鲁镇人早已“一听到就烦厌得头痛”了,但 People like simple articles. Throughout the ages, there have been many stories of literary celebrities concise writing. Ouyang Xiu’s phrase “Everything in the ring is also a mountain” and the phrase “Yama Mazou dog is on the road” has become an eternal experience in tempering texts. Xu Wenchang, a talented teacher from Shaoxing, once wrote a short form for a young widow: “Five-year marriage, sixteen widows, public servants, and uncles. Flowers and leaves, leaves lacking flowers. Married about not to marry?” unexpectedly The county official, who had previously forsaken the widow’s remarriage, saw this as a sign and raced on the side of the student’s heart. This type of capacity is large, with very few words. There are too many words to add one word, but one word is too few, one word is a thousand words, and there is no gap to be able to hit. It can be described as “rewarding ink like gold,” and it is amazingly simple. Then, what is the article on “Sprinkling ink like splashes of ink”? For example, Lu Xun’s “Blessing,” writing Xiang Lin’s story about the miserable story of A Mao being eaten by the wolf, used two large segments that were almost inexorable. Repeatedly described. Is this a matter of probity? No, on the contrary, it is precisely this repetition that only depicts the tragedy character of Xianglin Pei. The story of the wolf eating Amao, Lu Zhenren had already “a headache when he heard it,” but