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本论文主要探讨米兰·昆德拉用法语写成的“遗忘与记忆”三部曲,即《慢》《身份》和《无知》中所体现出遗忘与记忆的诗性思考,意图进一步认知作家的存在观。
This dissertation focuses on the poetic thinking of Milan Kundera’s “Forgotten and Memory” trilogy in French, namely the forgetfulness and memory embodied in “slow” “identity” and “ignorance”, with the intention of further recognizing Know the writer’s existence view.