我遵先贤“博涉百家、专精一体”的学书理念,书法之旅以行草书为主干道,后期专攻大草。自张伯英而下,历晋唐宋直到晚明前清,近现代草书大家,无不心摹手追,并且大多数以生宣临创。着力于丰富的笔墨技法和复杂的时间空间的探索,已是微有心得,并也获了几个小奖。而行书与篆隶楷都是作为滋养草书的辅佐,临池日课,较少有创作。此作以王觉斯为体,米元章为用,稍加个人想法,追求 I follow Xianxian “Bo involved in one hundred, specialized” learning philosophy, calligraphy trip to cursive as the main road, specializing in later large grass. From Zhang Boying, the calendar until the late Ming Dynasty Jin and Tang Dynasties, modern cursive everyone, all heart and hand chase, and most of them proclaimed. Focusing on rich brushwork techniques and exploration of complex time and space has been a bit trivial and has won several small awards. The script and Zhuan Li Kai are nourished Cursive as adjuvant, Lin Chi day classes, less creative. This for Wang Jusi as the body, the dollar chapter is used, a little personal ideas, the pursuit