两年前,笔者在评论戏曲电视剧《情醉老龙沟》时曾经说过:倘若撇开别的因素不谈,戏曲的“电视剧化”最根本的规律无非是要同时吸收和强化戏曲、电视剧两者的优长,尽可能地将现实美(生活美)与意味美(艺术美)相融合,不断推陈出新,方可能拍摄出优秀的、被广大观众所喜爱的戏曲电视剧(见拙文《现实美与意味美的融合》,原载《当代电视》1996年第7期)。 Two years ago, when I commented on the drama drama “Drunk Laolonggou”, the author once said that if aside from anything else, the most fundamental law of “dramatization” of the drama is nothing more than the simultaneous absorption and enhancement of drama and drama two As long as possible, the excellent and prolific people will be able to capture the outstanding drama series that are loved by the majority of audiences (see Zhuo Wen Meaningful fusion “, originally contained in” Contemporary TV "1996 the seventh period).