对音乐衍进过程的探究常常与社会情境密不可分,越来越多的音乐学研究成果重视对总体社会层次的变迁与音乐文化变迁的关联研究。本文以中俄跨界民族(赫哲—那乃)音乐文化变迁为个案,探讨如何对发生在特定社会情境中且充满特殊人文情怀的音乐事象给予更具结构意识的理解和延伸性的阐释。 The exploration of the music derivation process is often inseparable from the social situation. More and more studies of musicology pay attention to the research on the relationship between the changes of the general social level and the changes of music culture. This article takes the transition of music culture between China and Russia as a case to discuss how to give a more constructive understanding and extension of the musical phenomenon that takes place in a particular social situation and is full of special human feelings.