论文部分内容阅读
中国画发展至20世纪末叶已呈现出多元发展多向并进的现代态势,中国画的现代形态也已初步确立。然而,由于一个世纪以来过于曲折的社会发展现状,也使中国画的发展极为坎坷与艰难。如果说,在中国画的艰难发展中山水与花鸟这两大画科仍然代不乏人的话,那么,人物画的发展却显得更为曲折。其缘由一则是从事人物画创作的人相对较少,二则现代人物画那种植根于西方素描的严谨写实方法与中国绘画的传统特点之间
By the end of the 20th century, the development of Chinese painting has shown a modern trend of multi-dimensional and multi-directional development. The modern form of Chinese painting has also been tentatively established. However, due to the overly tortuous social development situation over the past century, the development of Chinese painting is also extremely bumpy and difficult. If we say that in the difficult development of Chinese painting, there are still no shortage of people in painting and calligraphy, but the development of portrait painting is even more tortuous. One of the reasons is that there are relatively few people engaged in the creation of figure paintings, and the second is the relationship between the rigorous and realistic methods rooted in the Western sketch and the traditional features of Chinese painting in the modern figure painting