序言中国的独立纪录片创作,自九十年代伊始,开辟了国家话语之外的民间叙述空间,①过去十多年,独立影像成为纪录片创作最具活力的地带,比起体制内的创作,这种方式在题材和形式上受到规范和约束较少,导演从个体意志出发,从选题到制作,“寻求一种有别于主流意识形态、真 Preamble China’s independent documentary creation has opened up space for narrative narratives beyond the national discourse since the beginning of the 1990s. In the past decade or more, independent video has become the most dynamic area for documentary filmmaking. Compared with the creation within the system, Modes subject and form subject to less norms and constraints, the director from the will of the individual, from the subject to the production, ”to seek a different from the mainstream ideology, really