古典绘画中,作为主角,英雄的形象总是出现在亮光处,在背后阴影的衬托下立于整幅画面的中心。然而,若是仔细观察品味便会发现,在那些英雄形象呼之欲出的经典作品中,英雄虽站在强光下,整个形象却仍是由不同灰度的阴影和几处高光构成的。不独绘画,几乎所有的艺术形式都在试图构造英雄的形象。譬如戏剧,同样以复杂的光影关系构造生动的英雄形象,只是戏剧中“光”与“影”的概念不如绘画这般形象。 In classical painting, as the protagonist, the hero’s image always appears in the light, standing behind the shadow behind the image in the center. However, if we look closely at the taste, we can see that in the classic works of heroic images, the hero is still standing under the light and the whole image is still composed of different shades of gray and several highlights. Not only painting, almost all of the art forms are trying to construct a hero’s image. For example, drama, vivid heroic images are also constructed with complicated lighting and shadow relations. However, the concept of “light” and “shadow” in drama is not as good as painting.