一、由引进素描引启在中国画的画学领域,对是否引入素描历来有所争议。徐悲鸿先生是“引进素描以改造中国画”的坚定倡导者和领军人物。蒋兆和先生在创作与教学实践中积极推行徐先生的主张,并取得了前所未有的艺术成就。后人称之为徐蒋体系。潘天寿先生的观点基本代表着持反对意见的一方,主张“拉开距离”。叶浅予先生在中央美术学院长期主持国画教学和研究工作,他多次重申:“长期素描作业,对中国画学习的必要性不是很大,有的情况倒是素描画得很好,拿起毛笔却如有千斤之重。”不赞成素描过多介入。如何看待 I. Introduction from the introduction of sketches In the field of Chinese painting and drawing, there has always been controversy over the introduction of sketches. Mr. Xu Beihong is a staunch advocate and leader in “introducing sketches to transform Chinese painting.” Mr. Jiang Zhaohe actively pursued Mr. Xu’s ideas in his writing and teaching practice and has achieved unprecedented artistic accomplishments. Descendants called Xu Jiang system. Mr. Pan Tianshou’s point of view basically represents the opposing party, advocating “distance”. Mr. YEU shallowly presided over the teaching and research of traditional Chinese painting at the Central Academy of Fine Arts. He reiterated many times: “The necessity of long-term drawing work and learning Chinese painting is not great. In some cases, the drawing is very good and the brush There are a lot of weight. ”Not in favor of drawing too much intervention. How to treat