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本文从对“环境”的不同解读出发,指出传统美学与环境美学的区别,对比分析了设计中的器物观和环境观,进而对基于环境美学的环境艺术设计进行深入剖析,指出“家园感”是环境艺术设计的最终目标,只有以环境美学替代传统美学作为理论基础,以环境观替代器物观作为设计理念,环境艺术设计才能最终引导第二自然成为人类宜居的家。
This article starts from the different interpretations of “environment ”, points out the difference between traditional aesthetics and environmental aesthetics, compares and analyzes the concept of utensils and environment in the design, and then analyzes the environmental art design based on environmental aesthetics, The sense of homeland is the ultimate goal of environmental art design. Only when environmental aesthetics replaces traditional aesthetics as theoretical basis and environmental concept replaces utensil concept as design concept, environmental art design ability can finally lead the second nature to be a livable home for human beings.