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20世纪90年代中叶以来,生态美学逐渐成为国内美学研究领域的重要事件,在理论界掀起了一股热潮。本文将从几部具有现实意义的故事影片着手,以生态美学的观点分析现代工业文明对自然、社会、精神“存在”的侵蚀,进而展示自然生态美、社会和谐美、个体生命美的缺失,以引起更多的关注与探讨,同时希望生态美学的深入发展能对人与自然、人与社会、人与人的“诗意栖居”产生积极的作用。
Since the mid-1990s, ecological aesthetics has gradually become an important event in the field of domestic aesthetics research, setting off an upsurge in the theoretical circle. This article will start from several stories with realistic significance and analyze the erosion of nature, society and spirit “existence ” from the point of view of ecological aesthetics, revealing the natural ecological beauty, the harmonious society and the lack of individual life beauty So as to attract more attention and discussion. At the same time, it is hoped that the further development of ecological aesthetics can play an active role in the “poetic dwelling” of man and nature, man and society, and man and nature.