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許禧身爲清末民初杭州女詞人,撰有《亭秋館詞鈔》四卷。因其晚清直隸總督兼北洋大臣陳夔龍繼室的身份,其詞既有女性詞作的一般特徵,又有一定的社會價值。通過對《亭秋館詞鈔》的細致梳理,并聯繫許禧身生平以及晚清史料,認爲其詞主體部分爲悼女、思女之作,喪女之痛與滄桑之感搆成凄楚哀婉的情感基調,而绣耕隨宦時的故鄉之思與時局動盪中的承平之望也在詞中時有體現,成爲其情感别調。
Xu Xi as a woman songwriter in Hangzhou during the late Qing dynasty and early Republic of China, authored four volumes titled Pavilion of the Autumn Pavilion. Because of its late Qing Dynasty governor and Northern Minister Chen Jilong dragon room identity, the words both the general characteristics of female words, but also a certain social value. Through the careful sorting out of the “Pavilion of Poetry in the Autumn Pavilion” and the contact with the life of Xu Xi and the historical material in the late Qing Dynasty, the author thinks that the main part of his Ci is mournful female, Sad emotional tone, and embroidered farming with the hometown of thought and peace of mind in the current peace of mind when the word is reflected in the time, as the emotional tone.