(一) 迄今为止,在所有研究徐悲鸿或涉及到徐悲鸿的论著中,不论具体评价如何分歧,却无不承认徐悲鸿是20世纪倡导写实主义的宗师。但细究起来,对其写实主义内涵的理解并不一致,因而结论也颇有差别。褒之者说他开辟了中国现代美术的康庄大道,贬之者说他拖了中国美术事业向前发展的腿。 (A) So far, in all the treatise on Xu Beihong or Xu Beihong, no matter how disagreeing the specific evaluation, Xu Beihong admitted that Xu Beihong was a twentieth-century advocate of realism. However, after studying it carefully, its understanding of the connotation of realism is not consistent, and the conclusions are quite different. Praise those who said he opened up the broad road of modern Chinese art, derogatory said he dragged the Chinese art career forward.