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朱伟在《张承志记》里认为:“张承志真正开始有艺术意味的作品,其实是《绿夜》。”“《绿夜》使他的笔成了在他指间跳动的‘神弓’,也可以说,《绿夜》使他从一个爱好文学的青年变成了一个艺术家。”在朱伟看来,《绿夜》是张承志文学创作的真正起航时刻。《绿夜》发表于1982年。回想起来,当初我没有太注意这篇作品,倒是差不多同时发表的《黑骏马》,引起很多人的关注。记得我读《黑骏马》后,立刻在上海《青年报》上写了一篇
Zhu Wei in “Zhang Chengzhi Ji” thinks: “Zhang Chengzhi really began to have the artistic meaning of the work, in fact,” Green Night. “” “” Green Night “made his pen become beating between his fingers’ God’s Bow, ”or“ Green Night, ”turning him from a literature-loving youth into an artist.“ In Zhu Wei’s opinion, ”Green Night“ is the real starting point for Zhang’s literary creation. Green Night was published in 1982. In retrospect, when I did not pay much attention to this work, it touches on the publication of the ”Black Horse“ at about the same time, arousing the concern of many people. I remember reading ”Black Horse“, immediately wrote an article in Shanghai ”Youth Daily"